Platforms

Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images.

Platforms and the Moving Image

Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media, streaming and videosharing platforms on the production, circulation, and consumption of moving images. Through diverse methodologies—archival research, social media ethnography, and textual analysis—the essays investigate the global movements of film and video formats, the platformization of cultural industries, and the evolving nature of media consumption. The volume emphasizes the importance of considering digital labor, media infrastructures, and user practices in understanding platforms’ role in contemporary society.

The collection is a collaboration of the DFG Graduate Research Program “Configurations of Film,” the Concordia University’s Platform Lab, and the Digital Cinema-Hub (DiCi-Hub).

Buy print version via
amazon.com
amazon.de
lehmanns.ch
Publishing Year
2025
Language
English
Pages
356
Series
Print Edition Price
€ 34.90 RRP
Downloads
Cover
License
CC BY-SA 4.0
ISBNs
978-3-95796-073-3 (Print)
978-3-95796-074-0 (PDF)
DOI
10.14619/0733
Available as
Print, PDF

The Editors

Jana Zündel is a postdoctoral fellow in the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt. Her research focuses on moving images in meme studies, digital media culture(s), television studies and seriality. She holds an MA and a PhD in Media Studies from the University of Bonn. Her dissertation examined television and serial paratexts, i.e. title sequences, recaps and outros, as indicators of media cultural change. It was published in 2022 under the title “Fernsehserien im medienkulturellen Wandel”. Jana Zündel is a member of the editorial board for the journal Montage AV and spokesperson for the work group “Television” (German Society for Media Studies, GfM).

Jana Zündel's Author Profile

Philipp Dominik Keidl is Assistant Professor of Screen Media in Transition at Utrecht University. His research focuses on media fandom, film heritage, and queer cinema. He is the coordinator of MI3: Media Industries, Infrastructures, and Institutions (Utrecht University) and a member of the Platform Lab (Concordia University).

Philipp Dominik Keidl's Author Profile

This book belongs to the

Children Reinventing Cinema

Children today discover a new digital drawing tool, the camera-crayon, at a very young age. They appropriate devices such as compact cameras and mobile phones and make their own media artifacts in…

Sticky Films

Stickiness is ambiguous. As a conceptual framework, it speaks of modes of relations and implies a strong affective charge between arousal, lust or disgust. In film and media production, sticky tools are…

Platforms and the Moving Image

Platforms and the Moving Image offers a multifaceted look at how digital platforms shape and are shaped by economic, cultural, and political forces. The collection examines the effects of gaming, social media,…

Distributed Productivities

Digital distribution produces new global cultural flows from urban centers like Lagos, Mumbai or Seoul. But it also enables new forms of distributed production in which cultural entrepreneurs cooperate across continents and…

Accidental Archivism

In the digital media ecology, archives are changing. Artists, curators, critics and scholars assume the role of accidental archivists. They shape cinema’s futures by salvaging precarious repositories and making them matter in…

Post-Cinematic Bodies

How is human embodiment transformed in an age of algorithms? How do post-cinematic media technologies such as AI, VR, and robotics target and re-shape our bodies? Post-Cinematic Bodies grapples with these questions…

Tacit Cinematic Knowledge

Moving images are increasingly finding their way into laboratories, dentist offices, clinics, airports and gyms. In these places and institutions film and moving image technologies serve to advance knowledge, to show how…

Serge Daney and Queer Cinephilia

French critic Serge Daney was a central figure in film, television and media criticism of the second half of the twentieth century. He died of AIDS in 1992, just as the concept…

Who Owns the Images?

Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a…

Pandemic Media

With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social…

Medium, Format, Configuration

In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images…

Tracks from the Crypt

David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long…