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Tracks from the Crypt

David Bowie’s 2015 Blackstar has been understood by critics and fans alike to have a certain valedictory status. For them, perhaps for us, it is a 39-minute and 13-second farewell. A long…

Property

To possess something is to lose something: Start­ing from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjec­tivity, world relations and affects. Intertwined…

Machine

In today’s society of humans and machines, automation, animation, and ecosystems are terms of concern. Categories of life and technology have become mixed in governmental policies and drive economic exploitation and the…

Was ist Medienästhetik?

Als Nachfolger des früheren Internationalen Jahrbuchs für Medienphilosophie beschäftigt sich das Internationale Jahrbuch für Medienphilosophie und Medienästhetik in der ersten Ausgabe nach dem Relaunch mit der wesentlichen Frage: Was ist Medienästhetik?

Diese Frage…

Medium, Format, Configuration

In contrast with media constructed as vast, ontologically homogeneous, non-localized systems, formats show material networks of interoperability and exclusions, inscribed in local specificities, and involving precise conditions for the circulation of images…

Unterwachen und Schlafen

Anthropophile Medien durchdringen zunehmend unsere lebensweltliche Realität, sei es im Ambient Assisted Living, als Pflegeassistenzsysteme, in den Arbeitsszenarien einer Industrie 4.0, als behagliche Interfaces des Affective Computing oder als Lifetracker der Quantified-Self-Bewegung….

Pandemic Media

With its unprecedented scale and consequences the COVID-19 pandemic has generated a variety of new configurations of media. Responding to demands for information, synchronization, regulation, and containment, these “pandemic media” reorder social…

Kritik postdigital

Die realpolitische Affirmation der Universalität des Digitalen geht mit einer regelrechten Abwehr der kritischen Reflexion seiner scheinbaren Axiome einher. Umso dringlicher ist es zu fragen: Was sind die Bedingungen und Möglichkeiten von…

30 Years After Les Immatériaux: Art, Science and Theory

In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At…

Uexkülls Umgebungen

Die Lehre Jakob von Uexkülls wird oft mit anerkennendem Blick auf die Vielfalt möglicher Umwelten und als erster Schritt zu einem anderen, pluralen Nachdenken über nicht-menschliche Lebensformen gelesen. Ihr struktureller Konservatismus, ihre…

Touchscreen Archaeology

The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to…

Sticky Films

Stickiness is ambiguous. As a conceptual framework, it speaks of modes of relations and implies a strong affective charge between arousal, lust or disgust. In film and media production, sticky tools are…

Earth and Beyond in Tumultuous Times

Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to…

The Cyborg

Born on the pages of science fiction comics in the 1920s and 30s, the cyborg lives in popular imagination. As hero of the cyberpunk epic, in its brief but intense history, the…

Counter-Dancing Digitality

Digitality is imposed upon us! To change this, we should not turn away from it, but look carefully into its transformative power and make operable alternatives such as counter-algorhythms and solidarity-oriented commoning….

Organize

Digital media technologies re-pose the question of organization—and thus of power and domination, control and surveillance, disruption and emancipation. This book interrogates organization as effect and condition of media. How can we…

Algorithmic Authenticity

What makes information feel true or compelling in our contemporary digital societies? This book brings together different disciplinary understandings of “authenticity” in order to find alternative ways to approach mis- and disinformation…

Digital Energetics

Media and energy require joint theorization as they are bound together across contemporary informational and fossil regimes. Digital Energetics traces the contours of a media analytic of energy and an energy analytic…

Democratic Algorithms

Can an algorithm be democratic? And how can we understand algorithms not only as technical, but also as social and political phenomena? Democratic Algorithms offers theoretically and empirically informed perspectives on how…

The Making of Les Immatériaux

The exhibition Les Immatériaux was presented at the Centre Pompidou in Paris in 1985. Curated by the philosopher Jean-François Lyotard and design theoretician Thierry Chaput, it is widely regarded as a landmark…

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Who we are

meson press is a cooperative that publishes experimental, innovative, multi-format open access books. It was initiated and is currently run by Mercedes Bunz, Marcus Burkhardt and Andreas Kirchner, and grew out of the Hybrid Publishing Lab, Leuphana University of Lüneburg.

Dedicated to open access

We believe in Gold Open Access. To ensure the authors’ rights as well as the openness of published monographs, meson press is committed to publish under a Creative Commons CC-BY-SA license.

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