Markets

Markets abound in media. This volume explores the neoliberal histories of the faith in computation prevalent in markets today, confronts the asymmetries and abstractions that characterize money as a medium of markets, and gathers elements for a politically and historically informed media theory of markets, attuned to contemporary phenomena such as cryptocurrencies and high-frequency trading.

Markets

Markets abound in media—but a media theory of markets is still emerging. Anthropology offers media archaeologies of markets, and the sociology of markets and finance unravels how contemporary financial markets have witnessed a media technological arms race. Building on such work, this volume brings together key thinkers of economic studies with German media theory, describes the central role of the media specificity of markets in new detail and inflects them in three distinct ways. Nik-Khah and Mirowski show how the denigration of human cognition and the concomitant faith in computation prevalent in contemporary market-design practices rely on neoliberal conceptions of information in markets. Schröter confronts the asymmetries and abstractions that characterize money as a medium and explores the absence of money in media. Beverungen situates these inflections and gathers further elements for a politically and historically attuned media theory of markets concerned with contemporary phenomena such as high-frequency trading and cryptocurrencies.

“One of the great deficiencies of media theory has been an adequate account of markets. As new technologies evolve to secure the most recent gains in wealth accumulation, this collection shows what is at stake in overlooking or accepting the very first principles of capitalism.”

— Melissa Gregg, Research Director at Intel

“The technological media and infrastructures of markets and finance capitalism should be of utmost concern to cultural theory. In bringing together the critical history of economic thought and the media theory of money and markets, this book is a compelling and timely intervention.“

— Joseph Vogl, Humboldt University, Berlin / Princeton University

Publishing Year
2019
Language
English
Pages
144
Series
Print Edition Price
$ 18.00 RRP
License
CC BY-NC 4.0
ISBNs
978-1-5179-0646-7  (Print)
978-3-95796-147-1 (PDF)
DOI
10.14619/1471
Available as
Print (Paperback), PDF

The Authors

Armin Beverungen currently works at the Department of Media Studies, Universität Siegen. He is a founding editor of spheres: Journal for Digital Cultures and the book series Digital Cultures. Previously, he was an editor of ephemera: theory & politics in organization (from 2007 to 2016). He researches at the interstices of media, social and organization theory, in the area of digital cultures. He is currently working on his habilitation project tentatively entitled Algorithmic Management. Armin is also a convenor for the EGOS Standing Working Group “Digital Technology, Media and Organization” (2018–2021).

Armin Beverungen's Author Profile

Philip Mirowski is Carl Koch Professor of Economics and the History and Philosophy of Science at the University of Notre Dame. He is author of More Heat than Light: Economics as Social Physics, Physics as Nature’s Economics, Machine Dreams: Economics Becomes a Cyborg Science, Science-Mart: Privatizing American Science, Never Let a Serious Crisis Go to Waste: How Neoliberalism Survived the Financial Meltdown, and, with Edward Nik-Khah, The Knowledge We Have Lost in Information: The History of Information in Modern Economics.

Philip Mirowski's Author Profile

Edward Nik-Khah is professor of economics at Roanoke College. He is the author, with Philip Mirowski, of The Knowledge We Have Lost in Information: The History of Information in Modern Economics.

Edward Nik-Khah's Author Profile

Jens Schröter (Prof. Dr. phil.) ist Professor für Medienkulturwissenschaft an der Universität Bonn: Forschungsschwerpunkte: Digitale Medien; Fotografie; Intermedialität; dreidimensionale Bilder; Medientheorie und Wertkritik; Audiomedien und auditive Kultur. Ausgewählte Publikationen: Handbuch Medienwissenschaft (als Hg.), 2014; 3D. History, Theory and Aesthetics of the Technical-transplane Image, 2014; Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung (als Hg. zus. mit A. Volmar), Bielefeld: Transcript 2013. Verdrahtet. The Wire und der Kampf um die Medien, 2012.

Jens Schröter's Author Profile

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