Archives

How digital networks and services bring the issues of archives out of the realm of institutions and into the lives of everyday users.

Archives

Archives have become a nexus in the wake of the digital turn. This book sets out to show how expanded archival practices can challenge contemporary conceptions and inform the redistribution of power and resources. Calling for the necessity to reimagine the potentials of archives in practice, the three contributions ask: Can archives fulfill their paradoxical potential as utopian sites in which the analog and the digital, the past and future, and remembrance and forgetting commingle?

 

This book gives voice to the important philosophical and political underpinnings of alternative archives, places of hands-on practice, and laboratories.

— Lori Emerson, University of Colorado Boulder

In showing that archives are more than mere ‘data,’ this book
performs a much-needed intervention: to re-pose the question of the archive as a key concern of contemporary thought and cultural life.

— Claus Pias, Leuphana University, Lüneburg

Publishing Year
2019
Language
English
Pages
97
Series
Print Edition Price
$ 18.00 RRP
License
CC BY-NC 4.0
ISBNs
978-1-51790-806-5 (Print)
978-3-95796-150-1 (PDF)
DOI
10.14619/1501
Available as
Print (Paperback), PDF

The Authors

Andrew Lison is assistant professor of media study at the University at Buffalo, the State University of New York. His writing has appeared in New Formations, Science Fiction Studies, and a number of edited volumes, including The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014), of which he is coeditor with Timothy Scott Brown.

Andrew Lison's Author Profile

Marcell Mars is research associate at the Centre for Postdigital Cultures at Coventry University (UK). Mars is one of the founders of Multimedia Institute/MAMA in Zagreb. His research, “Ruling Class Studies,” started at the Jan van Eyck Academy, examines state-of-the-art digital innovation, adaptation, and intelligence created by corporations such as Google, Amazon, Facebook, and eBay. He is a doctoral student at Digital Cultures Research Lab at Leuphana University, writing a thesis on “Foreshadowed Libraries.” Together with Tomislav Medak he founded Public Library/Memory of the World, for which he develops and maintains software infrastructure.

Marcell Mars's Author Profile

Tomislav Medak is a doctoral student at the Centre for Postdigital Cultures at Coventry University. He is a member of the theory and publishing team of Multimedia Institute/MAMA in Zagreb, as well as an amateur librarian for Public Library/Memory of the World and an artist in the performing arts collective BADco. His research  focuses on technologies, capitalist development, and postcapitalist transition, particularly on economies of intellectual property and the unevenness of technoscience. He is the author of The Hard Matter of Abstraction—A Guidebook to Domination by Abstraction and Shit Tech for A Shitty World. Together with Marcell Mars he coedited Public Library and Guerrilla Open Access.

Tomislav Medak's Author Profile

Rick Prelinger, professor of film and digital media at UC Santa Cruz, is an archivist, writer, and filmmaker. With Internet Archive, he built an open-access online repository of historical films beginning in 2000, which now contains 7,000 freely reusable films. His films include the archival feature Panorama Ephemera (2004), which played in venues around the world, and No More Road Trips?, which received a Creative Capital grant in 2012. His twenty-five participatory urban history projects have played to many thousands of viewers in San Francisco, Detroit, Oakland, Los Angeles, New York, and elsewhere. He is a board member of Internet Archive and frequently writes and speaks on the future of archives and issues relating to archival access and futures. With Megan Prelinger, he cofounded and codirects an experimental research library located in downtown San Francisco.

Rick Prelinger's Author Profile

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